Creating a Villain #AuthorToolboxBlogHop

Character Development – Creating a Villain

Today’s post looks deep into the skill of creating a villain.

Your story contains many elements that are critical: a main character, a plot, settings, etc. One of the most important is the villain or the antagonist. He adds depth and flavor to your story, more so than any other secondary character.

Let’s dig deep into creating a villain.

Who is he?

There are only three plots in the writing world:

1. Man vs. man
2. A man vs. nature
3. Man vs. himself

Therefore, your villain is either:

1. Another man (or alien, or organization, or creature, etc.)
2. Nature (hurricane, drought, flood, etc.)
3. Himself

For this post, let’s assume your villain is a person, human or otherwise.

Who is he? What connection does he have to your protagonist? Is their fight over the same goal (more on goals later) of a long time nature? Have they never met? What brings him into the story?

Where does he come from?

His background determines his motivation. Was he hurt, rejected, scorned, or humiliated in his youth? The villain has a story before he enters yours. Find out what event or events triggered his turn to the dark side.

What does he desire and what does it mean to him? Revenge? Power? Justice? Why does he want what he wants? What does he want to accomplish? The event(s) in his past changed him and stirred his desire for an intangible, emotional goal.

How far will he go to reach his goal? Is there a red line he won’t hesitate to cross?

Goals, Motivation, Conflict

Deb Dixon’s book, GMC (goals, motivations and conflicts) introduced me to three key components in character development. These attributes are as important for your antagonist as they are for your protagonist.

The antagonist’s goal

Your antagonist should have two goals: external and internal.

Your antagonist’s external goal should be obvious, something others will notice. He wants something to happen. Or not happen. Darth Vader wants to control the Empire. The carpet-bagging Yankees want to squeeze every dollar out of the South. The Wicked Witch wants the ruby slippers. The antagonist’s goal is something tangible and concrete, and he’ll fight like hell to get it.

Why? Because some deep, dark, secret internal goal drives him, sometimes beyond reason. Problems and setbacks won’t discourage him and will make him work harder to achieve his goal.

His internal goal is his weakness, something he may despise about himself and is therefore reluctant to face. It’s something he’ll guard from his enemies. They will mock him, belittle him, and use the force of his desire against him. So he must protect it, giving it more attention. Every setback will simultaneously drive it deeper and pull it to the forefront. His goal becomes a blistering, festering pain that drives him forward. He will use it to justify his actions and will warp acceptable, believable logic in order to do so.

Make his internal goal relatable to your reader. Make it memorable.

Darth Vader lost the love of his life and his children and wants revenge. The carpet-bagging overseer wants to humiliate Scarlett O’Hara because he was humiliated when he was fired from Tara. The Wicked Witch is a coward and uses the pursuit of power to hide her weakness.

Look at why the antagonist hasn’t accomplished his goal yet. What has or hasn’t happened when the story opens that has prevented him from checking the “done” box? How does the protagonist’s entry affect his plans? How does he deal with threats and opposition?

Conflicts

Which brings us to conflicts. Obviously, your antagonist’s conflicts stem from the actions of your protagonist. She is his main threat to him not achieving his goal. How does she get in his way?

Remember, your antagonist won’t have the skills she needs in the beginning of the story. She might be more of an annoyance, but as she experiences her own setbacks, she’ll learn lessons and gain knowledge and strength.

The protagonist’s external conflict is something concrete. Darth Vader battles the Rebel Alliance for control of the universe. The Yankees and Confederates fight over the slavery issue. The Wicked Witch and Dorothy fight over the ruby slippers.

The protagonist’s internal battle is also relatable to the reader and is as important as his external conflict. Does he have self-doubt? Does it stem from his weakness? If he was mistreated as a child and he vows to seek revenge, is there a corner of his mind that doubts revenge will be enough? You’re writing a multi-dimensional villain. He can’t be a cliché. He can’t be evil because evil is fun to write. Give him some internal fears and make sure his darkest fears are in contrast to the protagonist’s desires, making his conflict stronger.

As he battles the antagonist, his uncertainty as to how his enemy will react will create tension. It may seem like he’s winning, especially in the story’s beginning, but with each defeat, the protagonist is learning something, acquiring skills, and getting stronger.

Your antagonist, on the other hand, doesn’t have as wide, if any, of a character arc. He clings to his hurts. He may regroup and change plans, but his overall strategy doesn’t change. The goal is in sight, and he will not change internally to accomplish it.

What you should avoid when writing a villain:

A cliché

A mustache-twirling cliché

(In other words, no cartoons)

Evil for the sake of evil

Stupid

One-dimensional

Have a dark name

Have a maniacal laugh

Only exist to block the main character

At the climax, he spends way too long listing the reasons he’s going to kill the protagonist

What you should include when writing a villain:

A believable, relatable character

A real threat to the protagonist who raises the stakes with his actions

Is as complex as the protagonist

Good at pushing the protagonist’s buttons. Attacks her weaknesses

Who has strong motivations, goals, desires, ambitions and fears, both external and internal

Has a weakness that will lead to his downfall

Has a strong back-story

Is the hero of his own story

Has a chance for redemption at the strong climax (but likely won’t take it)

How do you write a believable villain? Think about what disturbs you. We all have darkness within, something we can identify with his darkness. Tap into that darkness, and you’ll have no problem on how to write a villain.

Related links:

The Princess Bride Character Motivations

Inconceivable!

The Princess Bride Character Goals

The Princess Bride Character Conflicts

Blessings,

Cheryl

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